There are many works treating of music and its relationship with social class, age, gender, race and several other dimensions. Somebody’s musical tastes give some interesting hints on who they are. I don’t know if such studies have been carried in Algeria and I hope they have because, I am sure, there is a lot to learn about Algerians from the music they like.
I am not aware of which music today’s young Algerians like, and I reckon you’ll a lot of hip-hop and its likes. Amateurs must forgive my ignorance of these not-my-cup-of-tea styles. I will therefore write a few words on what my friends used to listen to during high school years and how their tastes related to their social and cultural conditions. Continue reading


Very little is known about the biography of the late Wardia (or Ouardia). It is a sad reflection of the indifference with which we treat our artists, and Wardia was a great artist. I don’t think there is a single Algerian face Wardia didn’t bring a smile to. Larger than life is what comes to mind when speaking of her, a genereous lady, with a great natural talent. When I was a kid, I used to call her Khalti Wardia (Auntie Wardia), I remember that initially, I found her very loud and the roles she acted in her movies seemed quite scandaleous to me. But I grew to be fond of her because I felt that she was simply spontaneous and authentic. Funny too, hilarious actually. 